Feature

Remote content management

The media library for people who screen films. Upload features, sponsor reels, slides and announcements in a browser, assign them to any screen anywhere, and let the player fetch, verify and cache the lot.

A movie night’s content list is specific: a feature, some trailers, the sponsor reels, a welcome slide, a “back in five” card for interval. Cloud Cinema Pro’s media library is organised around exactly that list — and around the fact that you’re rarely standing next to the screen that plays it.

Built around the film, not the file

Most screen software treats everything as an interchangeable asset destined for a loop. Here, a feature film is a first-class thing with its own properties — including a scheduled intermission. Set the point in the film and how long the break runs, and it travels with the film itself: every screen and every season that programs that film gets the same interval, without anyone rebuilding it in a schedule. Trailers, sponsor reels, slides and text-page announcements sit alongside, ready to be pulled into a calendar session or a run sheet for the night.

Assign it anywhere. It arrives ready.

Upload once in the browser, then assign content to any screen you operate. The player at the other end does the rest: it fetches new material over its own connection with resumable downloads, verifies every file is complete, and caches it locally so the night runs from storage rather than the venue’s internet. The portal tells you plainly whether each screen has everything it needs — so “is Saturday ready?” is a glance, not a phone call.

Sponsors: promised versus played

Sponsor tagging lives in the library, where the content does. Tag any item — a pre-show reel, a slide, a thank-you card — to a sponsor, and the platform builds their report from real playback events recorded at the screen: your content ran this many times, totalling this many hours. If weather washes out a night, the report says so honestly, and you can see the shortfall to make up before season’s end. Renewal conversations run on evidence instead of assurances.

No USB sticks, no site visits

Updating a screen used to mean a thumb drive and a drive. With one shared library serving every site you run, swapping next week’s feature or adding a new sponsor reel is a browser task from wherever you are. Make the change, and each screen quietly fetches, verifies and confirms — ready for its next showtime.

Common questions

How does content actually get to the screen?

The media player checks in with the cloud and downloads anything newly assigned over its own connection. Transfers resume if the connection drops part-way, files are verified complete before they're eligible to play, and everything runs from the device's local storage on the night.

How does sponsor reporting work?

Tag any item in the library to a sponsor. The platform records what actually played on each screen — real playback events, not the schedule's intentions — and builds a report from them, showing how many times the sponsor's content ran and the total hours of screen time it received.

What can I upload?

Feature films, video content like trailers and sponsor reels, still images, and text pages — simple announcement screens composed in the portal with your message, background and timing. Films can also carry their own intermission point and duration.

Want Cloud Cinema Pro running your screen?

Cloud Cinema Pro runs the screens we build, supply and support at Outdoor Cinema Pro. Tell us about your venue — or the movie nights you want to run — and we'll put the right platform and hardware behind them.